„As an example of human achievement“ John Orton maintains in his book Semiconductors and the Information Revolution. Magic Crystals that made IT happen, that semiconductors ought to „rank alongside the Beethoven Symphonies, Concord, Impressionism, medieval cathedrals and Burgundy wines and we should be equally proud of it.“ [1] Why is it, indeed, that there attaches … Continue reading
Category Archives: architectonic articulations – the stanzaic structure of genuinely procedural forms
Shape Grammars beyond their analytical application
Die Modelle von Benjamin Dillenburger erinnern unmittelbar an die Hängestrukturen, die wir von Gaudi kennen. Bei einem zweiten Blick jedoch zeigt sich eine Irritation: Verglichen mit der Natur-Ästhetik, die mit Gaudi assoziiert wird, stellen Dillenburger‘s Modelle sich in einer „unnötig“ differenzierten Gestalt dar – unnötig deshalb, weil Gaudis Hängemodelle als Inbegriff für eine Art „natürlicher … Continue reading
Neo-baroque Articulation of Columns: Modules, Solids, Units
We are familiar with the use of generative grammars, L-systems or other recursive procedural frameworks, similar to the subdivision generally applied here in the work of Michael Hansmeyer, mainly from the analysis of natural process and organic structures. What is extraordinary about these examples here is the fact that Hansmeyer does not seek to reference … Continue reading
architectonic articulation – the stanzaic structure of genuinely procedural shapes
Most architects working with CAAD today are, at least from the perspective of their daily practice, well familiar with what constitutes the main topos in Deleuzes’ and Guattaris’ text „Geology of Morals (Who Does the Earth Think it is)“ [1], namely the assumed primacy of code to form. However, the dynamics of concretion which is proposed in … Continue reading