* this is a draft version of a short text for an upcoming exhibition with the Swiss Performance artist Heinrich Lüber (www.lueber.net) Harlequin’s cornucopia by Vera Bühlmann 0 given be: the announcement of a statement by Heinrich Lüber, placed within a curated series called „The Process of Performance“, promising the artists presence for two hours … Continue reading
Tag Archives: Aesthetics
“Ichnography”—The Nude and Its Model | The Alphabetic Absolute and Storytelling in the Grammatical Case of the Cryptographic Locative
abstract This article discusses different modes of how the ominous ‘all’ can be plotted as ‘comprehension’ via narrative, calculation, and measurement. The main interest thereby regards how the apparent ‘Real Time’ induced by the logistical infrastructures established by communicational media becomes articulable once we regard ‘Light Speed’ as the tense-ness proper to spectral modes of … Continue reading
MANUSCRIPT // The Sun and its Inverse: Reclaiming the Role of the Mathematical in Understanding Media [and the Technics of Digital Communication] with Michel Serres
My paper at the conference THE ULTIMATE CAPITAL IS THE SUN // METABOLISM IN CONTEMPORARY ART, POLITICS, PHILOSOPHY AND SCIENCE (http://theultimatecapital.org) organized by Matteo Pasquellini, Elena Agudio, Dorothee Albrecht, Bonaventure Ndikung and Eylem Sengezer at Akademie der Künste in Berlin, October 25/26 2014. précis While listening to the other papers on neuroscience, the contemporary attention on … Continue reading
Neo-baroque Articulation of Columns: Modules, Solids, Units
We are familiar with the use of generative grammars, L-systems or other recursive procedural frameworks, similar to the subdivision generally applied here in the work of Michael Hansmeyer, mainly from the analysis of natural process and organic structures. What is extraordinary about these examples here is the fact that Hansmeyer does not seek to reference … Continue reading
architectonic articulation – the stanzaic structure of genuinely procedural shapes
Most architects working with CAAD today are, at least from the perspective of their daily practice, well familiar with what constitutes the main topos in Deleuzes’ and Guattaris’ text „Geology of Morals (Who Does the Earth Think it is)“ [1], namely the assumed primacy of code to form. However, the dynamics of concretion which is proposed in … Continue reading